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Deborah levy the man who saw everything
Deborah levy the man who saw everything





deborah levy the man who saw everything

Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend-the implication being that she couldn't stand being a Wingo anymore. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. Levy defies gravity in a daring, time-bending new novel.Ī flabby, fervid melodrama of a high-strung Southern family from Conroy ( The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Head-spinning and playful yet translucent, Levy’s writing offers sophistication and delightful artistry. What is past, what is to come, and what is real are all for the reader to discover alongside the character of Saul himself, “a man in pieces.” At times he’s a young figure of freakish beauty, at others, older and disappointing, someone who wounds or treats cruelly those whom he loves.

deborah levy the man who saw everything

In a relatively short book, Levy spins an extraordinary web of connection, a dreamscape in which plangent images like a pearl necklace, a spilled drink, or the petals of a tree recur like soft chimes. These, however, are merely the broad brush strokes of a story layered with detail and import, spanning many themes, from sexual identity to fatherhood, memory to mortality. There, he falls in love with translator Walter Müller and also, separately, becomes sexually involved with Müller’s sister. Later, that same event is presented again with a different outcome, the repetition sandwiching the space in which Jennifer rejects Saul’s proposal of marriage and ends their relationship, and he travels to East Berlin on a research trip. But Saul is knocked down by a car and lightly injured. As the book opens, Saul is crossing Abbey Road in London in 1988, mimicking John Lennon on the cover of the Beatles’ eponymous album, for the sake of a photograph being taken by his girlfriend, Jennifer Moreau. "I’ve mixed now and then all up,” says Saul Adler, the central figure in Levy’s ( The Cost of Living, 2018, etc.) tantalizing new novel, which interconnects place, subject, and time as intricately as lace-making. Multiple versions of history collide-literally-in a superbly crafted, enigmatic new story from an author of note.







Deborah levy the man who saw everything